Talking Heads: Love → Building on Fire (Love Goes To Building On Fire)

March 18, 2012

 

Spotify URI: spotify:track:6io3AG4PaHu5Ksx41r4zHw
Spotify HTTP Link: Talking Heads – Love -> Building On Fire

There are bands that you used to love years ago that you still listen to today. For me, a few examples would be The Beatles, T.Rex, R.E.M., and Mott the Hoople/Ian Hunter. Then there are bands who you used to love and never find yourself listening to at all anymore. I would have to place Talking Heads in the latter category.

And yet…

If you were there in 1977, you know what I’m talking about and if you weren’t, you have no idea what you missed. When I moved from the New York area to Philadelphia to go to art school that year, it was like stepping back in time 10 years. New York was Patti Smith, Talking Heads, and Television, while Philadelphia was Foreigner, Led Zeppelin, and the Eagles. I remember being introduced by one of my school friends: “This is Marc. He’s into punk rock. Har har har.” There was one guy named Ken who lived in the dorm who used to hang out in my room and listen to my Roxy Music albums. He was the only other person there who was into punk and new wave. Ken later left school, moved back to Long Island, and was in a band called The Bloodless Pharaohs with a guy named Brian Setzer.

But I digress. Ken and I went to The Hot Club in Philadelphia to see Talking Heads. It was one of the first new wave acts I’d ever seen. I remember looking at the crowd outside the club and thinking, so these are the other people who like this music.

When Talking Heads came on the scene, they were nerdy arty types fresh from the Rhode Island School of Design. Their music was one part 1910 Fruitgum Company, one part, I don’t know, one part just plain weird. And I was attracted to the different-ness of their music.

If you wanted to buy new wave/punk records, there were two places to get them. In New York, there was Bleeker Bob’s. In Philadelphia, there was Third Street Jazz & Rock. My UK import copy of the single Love Goes To Building On Fire probably came from Bleeker Bob’s and it was hands down my favorite Talking Heads song. The reverse side had a version of New Feeling with horns.

The song is presented in a not-so-high-quality YouTube clip above. If you have Spotify, you can use the links to check out the track in its original form. Who knows, maybe I’ll listen to Talking Heads 77 later on today.


Roy Harper: Another Day (1970)

April 15, 2010

Roy HarperI saw Roy Harper play live at the Half Moon in London on August 19, 1991. Since he rarely played in the United States, I was grateful for the opportunity to finally see him.

The show was kind of a disaster. Roy came onstage in what can only be described as a severely altered state. “I’m not ripped—I’m shredded,” were his first words to the audience. Things went downhill from there. He forgot the words to some of the songs. He changed songs before finishing the one he was playing. He rambled and at one point made chicken noises into the microphone. To make matters worse, there was a drunken heckler at the front of the stage that yelled out nonsense throughout the show, at one point attempting to knock over the speakers at the side of the stage. Apparently, the club didn’t believe in bouncers.

At the end of the set, Roy told the audience that there would be some improvement during the following two nights. That was little consolation to me—I was catching a flight back to the States the next day.

Still, I don’t hold it against him. I heard that he’d had some personal problems that night. Besides, it’s Roy Harper.

If you don’t think you’ve heard Roy Harper, you probably have. He sang the lead vocals on the Pink Floyd song Have a Cigar. In addition to Pink Floyd, he’s worked with a myriad of rock luminaries, including Led Zeppelin, Jimmy Page, John Paul Jones, Ronnie Lane, Keith Moon, David Gilmour, Paul and Linda McCartney, Keith Emerson, and Kate Bush.

“I was never really a bone fide member of the folk scene. I was too much of a modernist, really. Just too modern for what was going on in the folk clubs. I wanted to modernize music, but more than that to completely modernize people’s attitudes towards life in general. I was involved in trying to bring meat to the folk music, which is a big mistake anyway.”

Roy Harper, October 2008

Roy recorded 21 studio albums, plus a number of live albums and compilations. The featured track, Another Day, is from the 1970 album Flat Baroque and Berserk. The first version is the album track. The second is a video by Peter Gabriel and Kate Bush, which I added because it complements the Peter Gabriel/Kate Bush video from my last post.

Search Roy Harper on Amazon.com.
Search Roy Harper on Amazon.co.uk.


Peter Gabriel: Don’t Give Up (1986)

March 6, 2010

Don’t Give Up (Version 1)

Don’t Give Up (version 2)

Don’t Give Up (Secret World Live with Paula Cole)


Peter GabrielReturn with us now to the thrilling days of yesteryear, a time before music had turned to crap, a time when people who made music could actually sing and play instruments.

Peter Gabriel’s tenure as lead singer of Genesis marked the band’s creative heyday. After his departure, Genesis went on to become a hugh commercial success (emphisis on the word commercial), while Gabriel eventually became a megastar in his own right. No cause-related benefit concert of the 1980s was complete without Gabriel performing Red Rain and Biko.

I was at Gabriel’s first-ever solo show at the legendary Capitol Theatre in Passaic, NJ on March 5, 1977. The opening act was Television. Unfortunately, the suburban prog-rock audience wasn’t ready for Television’s New York new wave sound, and the band was literally booed off the stage.

But I digress. The reason that I chose to highlight this particular song isn’t because it’s Gabriel’s best or even my favorite. I selected it because it’s topical.

Don’t Give Up, a duet with Kate Bush, tells the story of an unemployed man who’s at the end of his rope because he can’t find a job during hard economic times.

We’re living in that time now. The current American president cares more about nationalizing the private sector and listening to the sound of his own voice than doing anything effective to stimulate the economy so people can get back to work.

There are three videos this time. The two studio versions were directed by Kevin Godley and Lol Creme. The first features Peter and Kate embracing and revolving while the sun slowly goes into and out of an eclipse. The second shows Gabriel superimposed over a town with people in hard times. The last video is a live version filmed at the Secret World Live concert in Italy and features Paula Cole as the other singer in the duet.

Search Peter Gabriel on Amazon.com.


The Outsiders: Time Won’t Let Me (1966)

January 27, 2010

The Outsiders

Despite having four hit singles and recording four albums, The Outsiders are remembered today for this one song, Time Won’t Let Me, which reached number 5 on the American charts in 1966.

Guitarist Tom King started the band in Cleveland in 1965. When King left the band in 1968, vocalist Sonny Geraci and Walter Nims attempted to continue recording under The Outsiders name. A legal battle ensued. After King finally won the rights to the name in 1970, Geraci and Nims formed a new called Climax. The new band recorded the number 1 hit Precious and Few. Today, Geraci tours under the name Sonny Geraci and the Outsiders.

“I never met Frank Sinatra…never met The Beatles. I did meet The Beach Boys. I would have loved to have met Frank Sinatra.”

Sonny Geraci

Time Won’t Let Me fuses elements of British rock and Motown. The horn arrangement gives the song a blues sound, while the jangly guitars were influenced by the British Invasion bands.

Search The Outsiders on Amazon.com.


Catherine Wheel – Heal (1995)

February 13, 2009

catherine_wheelNo one who has followed Catherine Wheel over the years will ever understand why they weren’t more popular. Maybe they were ahead of their time. Maybe there just aren’t that many people around anymore with good taste in music.

The band formed in 1990 in Great Yarmouth, England and disbanded in 2000 (officially, the band is on “hiatus.”). I was lucky enough to have seen them at the Bowery Ballroom in New York City in July of that year. Seven tracks from that show are included on a bonus disc on the limited edition of the CD, Wishville.

I think Like Cats and Dogs, the B-sides record, (is my favorite Catherine Wheel album), purely because it’s conceptually different from the studio records. All the songs were recorded very quickly and written very quickly. It just reveals a very interesting side to the band which I don’t think many people are that familiar with.

– Rob Dickinson

It’s not difficult to hear Catherine Wheel’s Pink Floyd influences. A cover of Wish You Were Here appears on the album Like Cats and Dogs. The art for every Catherine Wheel album other than Ferment was designed by Storm Thorgerson of Hipgnosis fame. Hipgnosis was the team of designers who created most of Pink Floyd’s album covers, as well as most of the notable album covers of the 20th century.

You can see the similarities in the cover art of Pink Floyd’s Ummagumma and Catherine Wheel’s Wishville.

ummagumma

wishville

Singer/guitarist Rob Dickinson continues the band’s sound in his solo album, Fresh Wine for the Horses. His live shows include many Catherine Wheel songs.

The anthemic Heal appears on the album Happy Days, while another version of the song, called Heal 2, can be found on Like Cats and Dogs, an album that contained B-sides and out-takes. A live version of the song is presented here.

• Rob Dickinson’s MySpace page:
   
http://www.myspace.com/robdickinson

Buy Happy Days MP3 download from Amazon.com.

Buy Happy Days MP3 download from Amazon.com.

Buy Like Cats and Dogs MP3 download from Amazon.com.

Buy Like Cats and Dogs MP3 download from Amazon.com.

Buy Like Cats and Dogs MP3 download from Amazon.com.

Buy Wishville Limited Edition CD from Amazon.com.


The Stranglers – Always the Sun (1986)

January 31, 2009

The Stranglers logoThe Stranglers started out in the mid-1970′s as a pub-rock band, evolved into a not-quite-punk band, and then refined their sound until they produced “respectable” pop music. Along the way, they pushed the boundaries of rock music (listen to Outside Tokyo or Threatened off Black and White, The Raven, Dead Loss Angeles  or Ice off The Raven, or just about anything off The Gospel According to the Meninblack.

Singer/guitarist Hugh Cornwell left the band in 1990 to embark on a solo career. Like Genesis without Peter Garbriel or Ultravox without John Foxx, this is one of those instances where a band suffers from the departure of a member and never approaches it’s former glory.

stranglers1

Although The Stranglers were very popular in the UK, Dreamtime was the only album to chart in the U.S., largely due to the song Always the Sun. Even though this song is from the band’s more commercial pop period, if you listen closely, you can hear elements from the experimental period, such as Hugh Cornwell’s use of the guitar.

Cornwell was involved in the making of the video for Always the Sun. Unfortunately, the rest of the band didn’t like the video, and this caused discord in the group.

 Artist Website: www.stranglers.net
• Artist Website: www.hughcornwell.com
• Free MP3 Download of Hugh Cornwell’s latest album,
   Hooverdam: www.hooverdamdownload.com

Buy Dreamtime CD from Amazon.com

 

US UK
Buy Dreamtime CD from Amazon.com. Buy Dreamtime CD from Amazon.co.uk.
  Buy Dreamtime MP3 Download from Amazon.co.uk.
Compare Prices on Stranglers CDs on Amazon.com. Compare prices on Stranglers CDs on Amazon.co.uk.

Grant McLennan – Lighting Fires (1994)

January 25, 2009

www.marcsmusiclist.comGrant McLennan was a founding member of Australian band The Go-Betweens, along with Robert Forster. Grant died of a sudden heart attack in Brisbane in 2006.

This song, Lighting Fires, has everything going for it: an infectious jangly melody, a great guitar sound, and poetic lyrics.

Grant recorded four solo albums—this song appears on two of them: 1994′s Fireboy and Horsebreaker Star, released the following year.

• Artist website (fan site): www.go-betweens.net
Grant McLennan, 1958–2006,
Robert Christgau, The Village Voice

Buy Fireboy MP3 download at Amazon.com.

Buy Horsebreaker Star CD at Amazon.com.


Natalie Merchant – Ophelia (1998)

January 17, 2009

Natalie Merchant has a voice that possesses sweetness, purity, and power. By sweetness, I mean mellifluous, not the kind of saccharin-sweet that sends you into an insulin coma (like Olivia Newton-John).

Drawing on Shakespeare’s Hamlet, Ophelia is Natalie’s great masterpiece. The song tells the story of a woman who is insane, perhaps with dissociative identity disorder, who experiences herself as a number of different characters. At the top of this post is the video that Natalie created as a companion to the song.

Natalie cut her teeth in the band 10,000 Maniacs.

Artist’s web site: www.nataliemerchant.com

Natalie Merchant, Opheloa

Click image to buy CD or download from Amazon.com.


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