Talking Heads: Love → Building on Fire (Love Goes To Building On Fire)

March 18, 2012

 

Spotify URI: spotify:track:6io3AG4PaHu5Ksx41r4zHw
Spotify HTTP Link: Talking Heads – Love -> Building On Fire

There are bands that you used to love years ago that you still listen to today. For me, a few examples would be The Beatles, T.Rex, R.E.M., and Mott the Hoople/Ian Hunter. Then there are bands who you used to love and never find yourself listening to at all anymore. I would have to place Talking Heads in the latter category.

And yet…

If you were there in 1977, you know what I’m talking about and if you weren’t, you have no idea what you missed. When I moved from the New York area to Philadelphia to go to art school that year, it was like stepping back in time 10 years. New York was Patti Smith, Talking Heads, and Television, while Philadelphia was Foreigner, Led Zeppelin, and the Eagles. I remember being introduced by one of my school friends: “This is Marc. He’s into punk rock. Har har har.” There was one guy named Ken who lived in the dorm who used to hang out in my room and listen to my Roxy Music albums. He was the only other person there who was into punk and new wave. Ken later left school, moved back to Long Island, and was in a band called The Bloodless Pharaohs with a guy named Brian Setzer.

But I digress. Ken and I went to The Hot Club in Philadelphia to see Talking Heads. It was one of the first new wave acts I’d ever seen. I remember looking at the crowd outside the club and thinking, so these are the other people who like this music.

When Talking Heads came on the scene, they were nerdy arty types fresh from the Rhode Island School of Design. Their music was one part 1910 Fruitgum Company, one part, I don’t know, one part just plain weird. And I was attracted to the different-ness of their music.

If you wanted to buy new wave/punk records, there were two places to get them. In New York, there was Bleeker Bob’s. In Philadelphia, there was Third Street Jazz & Rock. My UK import copy of the single Love Goes To Building On Fire probably came from Bleeker Bob’s and it was hands down my favorite Talking Heads song. The reverse side had a version of New Feeling with horns.

The song is presented in a not-so-high-quality YouTube clip above. If you have Spotify, you can use the links to check out the track in its original form. Who knows, maybe I’ll listen to Talking Heads 77 later on today.


Roy Harper: Another Day (1970)

April 15, 2010

Roy HarperI saw Roy Harper play live at the Half Moon in London on August 19, 1991. Since he rarely played in the United States, I was grateful for the opportunity to finally see him.

The show was kind of a disaster. Roy came onstage in what can only be described as a severely altered state. “I’m not ripped—I’m shredded,” were his first words to the audience. Things went downhill from there. He forgot the words to some of the songs. He changed songs before finishing the one he was playing. He rambled and at one point made chicken noises into the microphone. To make matters worse, there was a drunken heckler at the front of the stage that yelled out nonsense throughout the show, at one point attempting to knock over the speakers at the side of the stage. Apparently, the club didn’t believe in bouncers.

At the end of the set, Roy told the audience that there would be some improvement during the following two nights. That was little consolation to me—I was catching a flight back to the States the next day.

Still, I don’t hold it against him. I heard that he’d had some personal problems that night. Besides, it’s Roy Harper.

If you don’t think you’ve heard Roy Harper, you probably have. He sang the lead vocals on the Pink Floyd song Have a Cigar. In addition to Pink Floyd, he’s worked with a myriad of rock luminaries, including Led Zeppelin, Jimmy Page, John Paul Jones, Ronnie Lane, Keith Moon, David Gilmour, Paul and Linda McCartney, Keith Emerson, and Kate Bush.

“I was never really a bone fide member of the folk scene. I was too much of a modernist, really. Just too modern for what was going on in the folk clubs. I wanted to modernize music, but more than that to completely modernize people’s attitudes towards life in general. I was involved in trying to bring meat to the folk music, which is a big mistake anyway.”

Roy Harper, October 2008

Roy recorded 21 studio albums, plus a number of live albums and compilations. The featured track, Another Day, is from the 1970 album Flat Baroque and Berserk. The first version is the album track. The second is a video by Peter Gabriel and Kate Bush, which I added because it complements the Peter Gabriel/Kate Bush video from my last post.

Search Roy Harper on Amazon.com.
Search Roy Harper on Amazon.co.uk.


Peter Gabriel: Don’t Give Up (1986)

March 6, 2010

Don’t Give Up (Version 1)

Don’t Give Up (version 2)

Don’t Give Up (Secret World Live with Paula Cole)


Peter GabrielReturn with us now to the thrilling days of yesteryear, a time before music had turned to crap, a time when people who made music could actually sing and play instruments.

Peter Gabriel’s tenure as lead singer of Genesis marked the band’s creative heyday. After his departure, Genesis went on to become a hugh commercial success (emphisis on the word commercial), while Gabriel eventually became a megastar in his own right. No cause-related benefit concert of the 1980s was complete without Gabriel performing Red Rain and Biko.

I was at Gabriel’s first-ever solo show at the legendary Capitol Theatre in Passaic, NJ on March 5, 1977. The opening act was Television. Unfortunately, the suburban prog-rock audience wasn’t ready for Television’s New York new wave sound, and the band was literally booed off the stage.

But I digress. The reason that I chose to highlight this particular song isn’t because it’s Gabriel’s best or even my favorite. I selected it because it’s topical.

Don’t Give Up, a duet with Kate Bush, tells the story of an unemployed man who’s at the end of his rope because he can’t find a job during hard economic times.

We’re living in that time now. The current American president cares more about nationalizing the private sector and listening to the sound of his own voice than doing anything effective to stimulate the economy so people can get back to work.

There are three videos this time. The two studio versions were directed by Kevin Godley and Lol Creme. The first features Peter and Kate embracing and revolving while the sun slowly goes into and out of an eclipse. The second shows Gabriel superimposed over a town with people in hard times. The last video is a live version filmed at the Secret World Live concert in Italy and features Paula Cole as the other singer in the duet.

Search Peter Gabriel on Amazon.com.


Bob Dylan: Idiot Wind (1975)

February 10, 2010

Bob Dylan

Going to a Bob Dylan concert is a bit of a crap shoot—you never know what you’re going to get. It could be great. It could be incoherent. It could be a little of both.

In 1961, Dylan began singing and playing folk music in New York’s Greenwich Village. By 1965, he’d written a number of notable folk songs and protest songs, including Blowin’ in the Wind and The Times They Are a-Changin. March 1965 saw the release of Bringing It All Back Home, Dylan’s first album featuring the use of electric instruments.

The folk music establishment went ballistic. Ewan MacColl, writing in Sing Out!, said:

“Our traditional songs and ballads are the creations of extraordinarily talented artists working inside traditions formulated over time…But what of Bobby Dylan?…a youth of mediocre talent. Only a non-critical audience, nourished on the watery pap of pop music could have fallen for such tenth-rate drivel.”

There are folk music enthusiasts who to this day still haven’t forgiven Dylan for breaking out into the mainstream.

“A lot of people can’t stand touring but to me it’s like breathing. I do it because I’m driven to do it.”
— Bob Dylan

Idiot Wind is one of my favorite Dylan songs. It’s certainly the most angry. Because of copyright issues, I can’t reprint the lyrics here, but fortunately, the lyrics are printed on Dylan’s website. The song comes from the Blood on the Tracks album, released in 1975. The version presented here is from a 1976 concert.


The Outsiders: Time Won’t Let Me (1966)

January 27, 2010

The Outsiders

Despite having four hit singles and recording four albums, The Outsiders are remembered today for this one song, Time Won’t Let Me, which reached number 5 on the American charts in 1966.

Guitarist Tom King started the band in Cleveland in 1965. When King left the band in 1968, vocalist Sonny Geraci and Walter Nims attempted to continue recording under The Outsiders name. A legal battle ensued. After King finally won the rights to the name in 1970, Geraci and Nims formed a new called Climax. The new band recorded the number 1 hit Precious and Few. Today, Geraci tours under the name Sonny Geraci and the Outsiders.

“I never met Frank Sinatra…never met The Beatles. I did meet The Beach Boys. I would have loved to have met Frank Sinatra.”

Sonny Geraci

Time Won’t Let Me fuses elements of British rock and Motown. The horn arrangement gives the song a blues sound, while the jangly guitars were influenced by the British Invasion bands.

Search The Outsiders on Amazon.com.


Died Pretty: True Fools Fall (1990)

May 25, 2009

died-prettyWhen I interviewed Paul Kelly in Adelaide, Australia in 1992, I asked him what bands he was listening to. In his response, he mentioned Died Pretty, along with The Go-Betweens and The Triffids. When I got back to the U.S., I made an effort to check them out. I’m glad I did, because it exposed me to a musical avenue that I barely knew existed at the time.

I fully understand that Died Pretty is an acquired taste. They were Australia’s answer to R.E.M., if you mutated them and transferred them to the Bizarro universe (indeed, Died Pretty opened for R.E.M. on the Australian leg of their 1994 tour). Moving right along…

Siinger Ron Peno and guitarist Brett Myers formed the band in Sydney in early 1984. During their career, which lasted until 2002, they released nine albums and four EPs. True Fools Fall is off the album Every Brilliant Eye.

Search Died Pretty on Amazon.com.


Steve Harley & Cockney Rebel: Star For a Week (1992)

May 17, 2009

steve_harleyWhat would the seventies have been without Steve Harley & Cockney Rebel?

Steve was born Stephen Malcolm Ronald Nice in Deptford, South London, on February 27, 1951. He first performed with Cockney Rebel, then dissolved that band and started Steve Harley & Cockney Rebel. Steve has also recorded solo projects as Steve Harley.

He’s had many hits throughout his career, including Make Me Smile (Come Up and See Me), which reached number one on the UK charts in 1975. Other hits include Judy Teen, Mr. Soft, Mr. Raffles, (Man It Was Mean), Here Comes The Sun, Love’s a Prima Donna, Irresistible, and Phantom of  the  Opera (with Sarah Brightman).

Steve was and is well-known in the UK and Europe but you’d probably be hard-pressed to find people in the U.S. who’ve heard of him. His live shows always feature the audience singing along to Make Me Smile (Come Up and See Me).

One of my favorite songs by Steve Harley is Star For a Week, which appeared on the album Yes You Can. The song is based on the actual story of troubled youth in Norfolk who began a crime spree because he wanted to be famous. This video clip comes from a 1989 UK concert.

Search Amazon.com for Steve Harley.


Sinéad Lohan: Whatever It Takes (1998)

May 9, 2009

Sinéad LohanSinéad Lohan is one of music’s enigmatic figure. She appeared on the international scene with her second album, No Mermaid, had a couple of minor hits, had a baby, and then vanished.

Lohan is Irish. Her first album, Who Do You Think I Am (1995), was a hit in her native Ireland. No Mermaid was released in 1998 and garnered some critical acclaim, as well as producing a couple of minor hits. The title track from No Mermaid was used in the movie Message In a Bottle.

“Nobody knows what I write about exactly. Nobody knows why I write and nobody ever sees me write. If I lived in a different century, they might have burned me as a witch for expressing myself the way I do. The funny thing is, I don’t understand most of the songs when I write them and then they become obviously relevant to what I’m going through a few months or a year later. They’re like predictions and then like comforts.”

Sinéad Lohan

Lohan had a baby in 2001 and stopped recording. A new album that was supposed to have been released in 2007 has never materialized. Lohan’s website hasn’t been updated since 2001.

Whatever It Takes comes from the album No Mermaid. Listen to how good this song is. It’s catchy and poppy without being treacly, and you can hear a Celtic influence.

Message to Sinéad Lohan: Please come back.

Search Amazon.com for Sinéad Lohan.


Katell Keineg: There You Go (1997)

May 3, 2009

katell-keinegListening to Katell Keineg, one is constantly aware of the duality in her music: modern and seemingly ancient, melodic with dissonant elements, soft but intense, deeply personal and unknowable.

Katell was born in Brittany, grew up in Cardiff, Wales, and currently lives in Dublin. When she was signed by Elektra Records in 1993, she was poised to become the “next big thing.” Unfortunately, management changes at Elektra left her with a contract to a record company that little cared about marketing her music, preferring to concentrate their efforts on pop music, which was becoming increasingly popular.

So Katell’s music remains mostly hidden to the world. I consider myself a fan and I sometimes don’t find out about new releases for months, if not years, after they’re released. Katell doesn’t seem much concerned with marketing, nor is there any real effort on anyone’s part to even keep her existing fans up-to-date. I signed up for her mailing list years ago through her website and I don’t remember getting any mail as a result. Katell released a 4-song EP called Y Gwyneb Iau/Trouble in January of this year, and I only found out about it while researching this post.

“Well, I guess it is a bit weird, getting up onstage and emoting — not that my songs are autobiographical! But at a gig, the exposure, the emotion, is through the conduit of a song. And, most important, it’s not just me; there’s an audience participating; we’re all there in the room together. That’s where the contact is. That’s where the religious element is.”

Katell Keineg, New York Times article, July 2, 2006

There You Go is from the album Jet, released in 1997. This video was recorded at The Living Room in New York City in 2006.

As much as I hate to say it, the word is never going to get out about Katell, one of the most gifted singer-songwriters of our time. Why? Funny you should ask. I’ll tell you the big secret:

Because music is dead.

Music died a while ago, and it went out with a whimper, not a bang. There are no longer any rock radio stations, other than stations that play “oldies” and alternative stations, which are an alternative to good music, mostly. There are stations like JACK FM that play a mix of music, but they never front-announce or back-announce the music (not that they’d ever play anything by Katell). How can they? They don’t have any deejays. Even the stations with deejays don’t announce tracks. Not that it would matter, since they don’t play anything worth listening to anyway.

Music is dead, unless your idea of music is rap or bullshit pop music (and if it is, I feel sorry for you). Music is dead, unless you call the phony crap that oozes out of American Idol music.

Music is dead, and Katell Keineg is too good, too honest, too intelligent, and too real to have a place in a music industry that is run by the cartel of gangsters that calls itself the RIAA.

So Katell continues to make the music that she wants to make, the way she wants to make it. And that’s why you probably never heard of her. And you’re the worse off for it.

Search Amazon.com for Katell Keineg

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House of Love – Shine On (1990), I Don’t Know Why I Love You (1990)

April 25, 2009

houseoflove230x178By the time I heard of House of Love, they had just broken up. I was in a CD store in Brookline, MA back when I was living in Boston. There was music playing in the store, something wonderful that I’d never heard before. I asked the guy at the counter what it was. He told me it was House of Love. I don’t remember which album it was, maybe A Spy in the House of Love. The copy they were playing was for sale so I bought it. Then I hunted down the rest of the band’s CDs.

There are bands that you like for awhile but then get tired of and eventually stop listening to. House of Love isn’t one of these bands. If you like their music, you’ll always like their music. Over 15 years after I first heard them, I still marvel at how good they were (Are? More on this later). They’re one of my all-time favorite bands.

House of Love formed in London in 1986. The original lineup was:

  • Guy Chadwick (vocals, guitar)
  • Terry Bickers (guitar)
  • Andrea Heukamp (vocals, guitar)
  • Pete Evans (drums)
  • Christian Groothuizen (bass)

There were a number of lineup changes, most notably when Terry Bickers left the band due to a fallout with Guy Chadwick over drugs. The band’s albums are difficult to keep track of, as none of the albums had titles until 1991 (I know this sounds like Spinal Tap but I’m not making this up).

…I was very ambitious, but in a blind way, I have to say. Looking back, I wasn’t sussed enough. I didn’t grasp what had to be done. It was pretty blind. I just had a lot of energy, musical energy, but when it came down to the business of actually developing, consolidating and keeping close as a group, I completely —— up that side of things. And it’s a very, very hard business, and if you are going to be a big star, obviously you need loads of talent, but you’ve got to be very shrewd, or you’ve got to have great management.

Guy Chadwick, 2007 interview

House of Love saw some success in England, with albums and singles reaching the top 40 or just below top 40. The band has never had any success in the United States, where they remain largely unknown.

House of love split up in 1993. Singer Guy Chadwick released one solo album, Lazy, Soft, and Slow.

In 2005, surprising everyone, Chadwick and Bickers reunited for a House of Love album called Days Run Away and a tour of the UK and Ireland.

A new album, House of Love – Live At The BBC was recently released in the UK and is scheduled for American release on April 28, 2009. The CD contains material recorded at BBC Studios between 1991 and 1992.

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This week, we have two featured songs. The first, Shine On, appears on six different albums in different forms. including live. The versions of both songs are from the album known as Butterfly or Fontana.

House of Love

MP3 download

The House of Love

CD


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